
Both the novel and the film versions of Howl’s Moving Castle transcend genre labels and reside in the uneasy, rugged terrain of postmodernism.

Translating websites for audiences with different languages and regions is a tricky process. Read on for the complications and the rewards.

Erica Kochi of the Innovation Unit at UNICEF talks about the potential of mobile phones to help us reach the Millennium Development Goals.

An international activist on TB from Kenya, Lucy Chesire talks about her work and what it’s going to take from citizens and governments to combat TB.

Anita Sharma talks about the UN Millennium Campaign and the role women and girls can play in helping achieve the eight millennium development goals by 2015.

Reporting live from the UN Week Digital Media Lounge. Video interviews with women leaders and more.

The dynamics of the Iranian election protests signal a shift in collective action and state power structures and raise questions about new models of governance and decision-making.

What exactly is “clean coal”? Who’s trying to persuade Americans to invest once more in a long discredited form of energy?

The Thai Buddhist Temple in Berkeley attracts thousands of visitors to its famous weekend brunch. But for a few, a richer experience awaits.

Thoughtful research strategies including media audits, competitive analyses, focus groups, and online surveys.

Considers how linear animation can evolve into a data-driven exploration of relative measures through database aesthetics, emergence in visual systems, and the unique properties of multi-stream visual storytelling.

From the 10th annual Critical Themes in Media Studies conference at The New School.

Sample syllabus for “Intertextual Representations of Resistance and Difference across Global Media”

Howl’s Moving Castle leaps from the English printed page to the animated Japanese voice. Whose story is it?

In a 2009 interview, M.I.A. called the civil war in Sri Lanka a genocide and compared it to Nazi-Germany. What lies behind M.I.A.’s contentious claim?

Why the “poverty porn” argument actually reinforces the very imperialist gaze it seeks to undercut.

Why can’t these characters seem to create a normal moment of happiness for themselves?

The project addresses not only power generation and balance, but also embeds a community regulation mechanism.